Burlesque Ball - Part 1 - 9th November 2024

Burlesque With Paris Brings The House Down At The Burlesque Ball Part 1…

The Burlesque With Paris Burlesque Ball Part 1 at Doncaster Little Theatre was a night of sheer elegance and enchantment. Hosted by the vivacious Khandie Khisses and immortalised through the lens of Grace Elkin Photography, this event promised and delivered an unforgettable spectacle.

The theatre buzzed with anticipation as guests, resplendent in their finest attire, gathered to immerse themselves in the captivating world of burlesque. The evening’s programme was brimming with promise, featuring an array of performances designed to mesmerise and delight. With its blend of glamour, artistry, and seduction, the Burlesque Ball was poised to transport its audience into a world of fantasy and allure. From the moment the doors opened, it was clear that this was to be a celebration of burlesque in its most dazzling form.

As guests made their way into the theatre, they were met with an air of opulence and excitement. Paris Chantilly, with her warm charm, greeted everyone upon arrival, setting the tone for the evening. Alongside her, the fabulous stage manager Cupid Stunt ensured that everything ran smoothly, adding to the seamless experience. The theatre lobby buzzed with animated conversations and laughter as attendees, dressed in their finest attire, mingled and anticipated the night ahead.

The evening kicked off with an enthralling performance by the Goole Goddesses, whose showgirl number to 'It Don't Mean A Thing' by Club Des Belugas instantly captivated the audience. The performers dazzled in vibrant showgirl dresses, complemented by a striking combination of purple, red, and green gloves. Their routine was a masterclass in showgirl flair, starting with a seamless glove removal that had the crowd eagerly anticipating their next move. As the music swelled, the Goddesses executed a dramatic reveal, shedding their dresses to unveil their burlesque finery in coordinating hues of green, red, and purple. Their energy was palpable, and their stage presence commanded the audience's attention. Each movement was executed with precision and sass, showcasing their artistry and captivating charisma. The applause was deafening, a testament to the audience's appreciation for their enchanting performance. With their showgirl sass and captivating stage presence, the Goole Goddesses set the bar high for the rest of the night's performances, leaving an indelible mark on the evening's festivities.

Fifi Whispers from the Hull Harlots graced the stage next, delivering an enchanting solo act set to 'The Stripper' by David Rose. With impeccable timing, she entered twirling a silver trilby hat, which she theatrically tossed into the audience, setting the stage for a night of mesmerising burlesque. Her routine exuded elegance and allure as she began with a graceful glove peel, drawing the audience in with every move. The golden gown she wore shimmered under the stage lights as she expertly removed it, revealing layers of allure and anticipation. Each piece of clothing discarded was done with a sense of artistry and tease, holding the audience's rapt attention. The climax of her performance was marked by the unveiling of her pasties, a moment that drew gasps and cheers from the captivated crowd. Fifi Whispers enchanting presence and skillful performance showcased her ability to blend classic burlesque elements with a modern twist, leaving an indelible impression on everyone present.

Honey Rouge, a stunning performer from the Hull Harlots, captivated the audience with her solo debut. She began her act to the iconic strains of 'Like A Prayer' by Madonna, exuding an air of purity as she stood concealed behind a set of majestic white ostrich fans. As the music transitioned, so did Honey Rouge’s style. The fans were lowered to reveal a feather collar, which she sensuously removed, setting the tone for her evolving performance. Each piece of her costume, from her white gloves to her elegant gown, was shed with graceful precision, revealing black gloves and more daring attire beneath.

With every shift in music, Honey Rouge transformed, embodying different facets of Madonna’s legendary persona. The transition to 'Like A Virgin' saw her playful innocence give way to a more provocative display. The removal of her black gloves coincided with the next musical change, 'Hanky Panky', where her gown fell away to expose a daring ensemble. The audience was utterly mesmerised by her ability to intertwine classic burlesque with the evocative spirit of Madonna’s music.

As the performance reached its climax, Honey Rouge bared her final layer, unveiling her black pasties. Each movement was a carefully orchestrated tease, keeping the audience on the edge of their seats. The blend of elegance, artistry, and seduction in her routine showcased her immense talent and stage presence. Honey Rouge’s debut was a spellbinding display that perfectly embodied the spirit and allure of burlesque.

Cindy Galore and Devine Desire from the Featherstone Follies took to the stage with an electrifying performance to 'I See Red' by Everybody Loves An Outlaw. Draped in elegant black gowns and long satin gloves, the pair exuded sophistication and allure from the moment they appeared. Their synchronised movements and seamless glove peels were nothing short of mesmerising. As they tantalisingly removed one glove, they sensuously ran it down their bodies and legs, heightening the anticipation in the room. The second glove peel was executed with their teeth, adding an extra layer of seduction to their routine.

The removal of their gowns was an equally teasing affair. Hiding behind the fabric, they ran their fingers down their legs before finally revealing their red babydolls and black stockings, much to the audience's delight. Their chemistry was palpable, each move choreographed to perfection as they beguiled the crowd with their sultry dance. The duo expertly played off one another, their performance a harmonious blend of grace and provocativeness. The way they moved together was a testament to their skill and connection, captivating everyone in attendance.

Cherry Daiquiri and Sugarboo, representing the Hull Harlots, delivered a spellbinding performance set to the iconic 'Another Brick In The Wall' by Pink Floyd. Dressed in eye-catching pink graduation gowns and matching hats, they brought an intriguing twist to the stage, combining playful choreography with tantalising burlesque elements. The duo used their canes with flair, rolling them seductively down their bodies before discarding them, eliciting an audible sense of anticipation from the audience.

As the performance progressed, Cherry Daiquiri and Sugarboo deftly removed their graduation hats, allowing their transformation to begin in earnest. With an expert glove peel, they cast aside the pink gowns to reveal sophisticated black lingerie, each piece removed with a flourish that kept the audience enthralled. The fluidity of their movements on the floor showcased their impressive technical skill and physical grace, adding an element of sensuality to their routine.

Their seamless transitions and expressive gestures kept the audience captivated, each movement designed to heighten the sense of allure. The climactic moment came when the pair, in synchrony, removed their bras to reveal sparkling pasties, sending a wave of excitement through the crowd. This provocative reveal was executed with such confidence and artistry that it left a lasting impression on all who witnessed it.

The next performance was delivered by the mesmerising talents of Roxy Starr, Luna Lunacy, Emerald Fuego, Emperatrix, Belladonna Storm, Ivy Jac, and Valentina Velour from the Featherstone Follies. Performing to 'The Wonderful Of You' by Caro Emerald, the group showcased a symphony of synchronised movements and dramatic flair. Adorned in coordinated pink and black ensembles, they began with their backs to the audience, hands elegantly tracing their legs and bodies in perfect unison.

As the music swelled, the performers flicked the backs of their bump skirts, revealing tantalising glimpses that drew audible gasps and cheers. Their first glove removal was executed with a grace that heightened the anticipation, each movement meticulously choreographed to captivate and seduce. The removal of the second glove followed, seamlessly transitioning into a line formation where they continued to enchant the crowd.

In a crescendo of theatricality, the bump skirts were dramatically cast aside, each performer flaunting her impeccable timing and artistry. The climactic reveal of their bras, exposing glittering pasties, was met with roaring applause and admiration from the audience. Finishing in a striking group pose, the Featherstone Follies left an indelible impression, their spellbinding performance a fitting conclusion to an evening of dazzling burlesque.

Coral Kisses, a prominent performer from Featherstone Follies, took the stage with sultry elegance, performing to 'I Just Want To Make Love To You' by Etta James. She captivated the audience from the moment she appeared, adorned in a black jewelled headdress, purple fur cuffs, and a striking corset that exuded sophistication. Coral's act was a masterclass in allure, featuring tantalising hip bumps and seductive bum rolls that drew appreciative gasps from the crowd.

As the music swelled, she gracefully removed her skirt, skilfully dragging her cuffs up her legs with mesmerising precision. Every movement was deliberate and enchanting, from her showgirl leg lines to her flirtatious gestures, which kept the audience spellbound. Her commanding stage presence and magnetic charm made it impossible for the audience to look away.

Bohemian Beauty, also a member of Featherstone Follies, mesmerised the crowd with her seductive act to 'I Touch Myself' by Divinyls. Her entrance was shrouded in mystery as she sat on stage, her back to the audience, dramatically tossing white feathers into the air. The audience erupted in cheers as she kicked her leg high, sensually running her hand down its length before rising and playfully wiggling her bum at the crowd.

As the music's intensity grew, Bohemian Beauty’s sensuous hip rolls led to a tantalising reveal, displaying her ensemble of a bra and pants. The white boa she wielded became an extension of her charisma, used skilfully to tease and entice. Each movement was choreographed to accentuate her allure, from the playful winks to the deliberate sways of her hips. Her stage presence was magnetic, capturing the audience’s attention with every gesture.

The performance was punctuated by the audience’s enthusiastic applause, growing louder with each flirtatious twirl and feather toss. Bohemian Beauty's act was a perfect blend of elegance and seduction, her every move calculated to draw the crowd further into her spell.

Ruby Starr, from Hull Harlots, brought her vivacious showgirl flair to the stage with a performance to 'Been Like This' by Meghan Trainor. Dressed in a dazzling gold tassel dress, Ruby Starr immediately captivated the audience. Her act began with her back to the crowd, and as the music played, she smoothly transitioned into a series of sultry bum rolls and dynamic hip bumps. Each move was executed with the precision and charisma that defines true showgirl talent.

The highlight of Ruby's performance was the glove removal, each glove flung into the eager crowd with impeccable timing. Her routine was a spirited mix of charleston steps and quick footwork, all performed with a level of energy that kept the audience on the edge of their seats. Her performance culminated with Ruby Starr’s striking an elegant and powerful pose, leaving the audience mesmerised by her dazzling display of showgirl glamour and sass.

Cherry Dynamite, from Goole Goddesses, brought a whimsical energy to the stage with her performance to 'Chinchilla' by Slim Moon. She made an immediate impact by emerging from behind a large gold fan, which she wielded with both grace and playfulness. The fan dance captivated the audience, setting the tone for an act brimming with charm and creativity. Cherry Dynamite's playful engagement with her skirt added a layer of drama, transforming it into a dramatic cape before she discarded it entirely. Her movements were fluid and deliberate, each one drawing the audience further into her captivating world.

The act reached its crescendo when she removed her black top to unveil sparkling purple pasties, eliciting enthusiastic applause and cheers from the crowd. Her playful yet controlled manner highlighted her mastery of the burlesque art form, blending humour and seduction seamlessly.

Lola Sparkles of Featherstone Follies lit up the stage with her vibrant performance to 'Pink' by Aerosmith. Dressed in an array of stunning pink hues, she exuded an air of flirtatious charm from the moment she stepped into the spotlight. The act commenced with Lola Sparkles elegantly twirling a boa, using it to tease and engage the captivated audience. With fluid and deliberate movements, she removed her gloves in a sequence that built anticipation. A sultry bum roll saw the pink bustle come off, which she skillfully used to further enrapture the crowd by running it up and down her legs.

As the performance reached its peak, Lola Sparkles unveiled the ultimate tease by removing her bra. Rose petals scattered across the stage in a visually stunning display, heightening the drama. The grand finale saw her revealing sparkling pasties, a moment met with thunderous applause and cheers from the audience.

Violet Grace, a standout from the Hull Harlots, delivered a performance that was both dramatic and captivating. Adorned in a housewife's ensemble complete with marigolds, she mesmerised the audience with her sophisticated flair. Her act was a seamless blend of allure and artistry, starting with the removal of her marigolds to reveal long satin red gloves, followed by a tantalising strip of the gloves themselves. The excitement heightened as she playfully flashed her apron, showcasing her impeccable timing and theatrical prowess. The audience was kept on the edge of their seats as she continued to disrobe, unveiling a series of surprises, including a cheeky reveal of her derrière. The performance culminated in the unveiling of a red pop-up toaster, a quirky and delightful finale that left the crowd in awe.

The Hull Harlots' showgirl troupe, featuring Bongilicious, Amethyst Passion, Sapphire Rose, Scarlett Vixen, Lady Venus, and Sugarboo, delivered an unforgettable performance to "Viva Las Vegas" by Elvis Presley. As the music kicked in, the stage exploded with energy and glamour. The troupe, dressed in dazzling attire, seamlessly blended showgirl sass with sophisticated choreography. Their performance was a visual feast, filled with elegant glove removals, intricate footwork, and captivating hip rolls. Each movement was executed with precision, ensuring the audience's attention never wavered.

Their act culminated in a classic showgirl chorus line, complete with fabulous poses that left the crowd cheering for more. The synergy among the troupe members was palpable, as they flawlessly executed each sequence, ensuring that the performance was as cohesive as it was dazzling.

L’ll Miss P from the Featherstone Follies graced the stage for her solo debut, performing to "Sir Duke" by Stevie Wonder. Utilising her brother as a prop, seated on a chair, she crafted a routine that exuded both sass and sophistication. With playful bum rolls and wiggles, L’ll Miss P captivated the audience, her movements full of poise and charm. The act progressed with the dramatic removal of her jacket, revealing a tassel bra and thong that sparkled under the stage lights. Her engaging performance, rich in energy and theatricality, kept the audience enthralled as she danced with an exuberance that was both infectious and delightful.

The climactic moment of her act arrived as she removed her bra to unveil black pasties, sparking an eruption of applause and cheers from the audience.

Bella Diamond and Pixie Dust from the Goole Goddesses brought a delightful touch of comedy to the evening with their performance to a medley of Queen's "I Want To Break Free" and Shania Twain's "Man! I Feel Like A Woman." The act began with the duo dressed in overcoats and marigolds, playfully engaging in sweeping and mopping routines that instantly captivated the audience. Their comedic timing was impeccable as they teased with dusters before shedding their marigolds in a hilariously dramatic fashion. The removal of their overcoats revealed stunning black star skirts, corsets, and tie tops, adding a layer of glamour to the humour.

As the performance progressed, Bella Diamond and Pixie Dust expertly balanced seduction and comedy, maintaining the audience's rapt attention. They picked up cowboy hats strategically placed at the back of the stage, further enhancing the playful tone of their act. The climax was a playful reveal, with the pair hoisting their hats to unveil their pasties, an act met with wild applause and cheers.

Paris Chantilly took to the stage to deliver a deeply emotional tribute performance in memory of Tina La Tease. Draped in a luxurious cream marabou-trimmed gown, Paris exuded elegance as she twirled across the stage, her movements filling the space with an air of graceful sophistication. To the soulful strains of "Dream A Little Dream Of Me" by Mama Cass, she began a poignant routine that delicately balanced beauty and heartfelt emotion. With each twirl and sway, she skilfully removed her costume piece by piece, starting with her gown and progressing to her gloves and bustle.

As she danced, the audience was captivated by the meticulous attention to detail and the deep sense of homage embedded in her performance. The atmosphere grew increasingly charged with emotion as she shed her corset and twirled to remove her bra, culminating in a confetti pour that bathed the stage in a shower of glitter. The shimmering spectacle created a visually stunning moment that heightened the poignancy of her tribute. Paris Chantilly then gracefully transitioned into a fan dance, employing elegant ostrich fans to add an extra layer of enchantment to her routine. The audience watched in rapt silence, utterly mesmerised by the combination of elegance, emotion, and theatrical artistry displayed before them.

During the interval, the theatre was alive with the buzz of excited conversations and animated discussions. Audience members, still reeling from the spectacular first half, eagerly shared their thoughts and favourite moments with one another. The sheer energy in the room was palpable as guests relived the breathtaking performances they had just witnessed. Clusters of friends and strangers alike engaged in lively chatter, discussing the artistry, seduction, and humour that defined the evening thus far.

Anticipation for the second half of the Burlesque Ball continued to build, with guests speculating on what dazzling acts might follow. The interval offered a moment to catch one's breath while the atmosphere remained charged with excitement, creating a perfect segue into the next round of captivating performances. The theatre buzzed with the collective enthusiasm of an audience ready for more enchantment and allure.

The second half of the Burlesque Ball show ignited with the sensational performance of the Roulette Rogues. Stepping onto the stage in short black sequin fringe dresses, they immediately captivated the audience with their vibrant energy. Performing to the tunes of "Hot Honey Rag" and "Why Don’t You," their routine was a dazzling display of burlesque artistry. Each movement was executed with precision, showcasing their exquisite leg lines and seamless synchronisation. The performers radiated confidence, their sassy attitudes perfectly complementing the glittering spectacle of their costumes. The audience was enthralled by their blend of sophistication and sass, which was evident in every twirl and kick. The Roulette Rogues demonstrated a masterful control of their craft, combining playful charm with technical prowess. Their performance was a high-energy celebration of burlesque, filled with intricate footwork and captivating formations that kept the audience on the edge of their seats. The stage was alight with glamour, as the performers effortlessly transitioned between stunning poses and dynamic sequences. The applause was thunderous, reflecting the audience's appreciation for the skill and dedication on display.

Lady Venus, from Hull Harlots, captivated the audience with her electrifying routine to 'Stop' by Jamelia. Dressed in vibrant red shorts and a matching bra, she made a stunning entrance, enveloped in a luxurious black boa. Her performance was a masterclass in seduction, showcasing flawless boa technique and graceful leg lines. As she teasingly discarded her boa to reveal her pasties, she scattered rose petals across the stage, adding an enchanting touch. The audience was spellbound as Lady Venus executed each move with precision and flair, and the room ignited with an array of excitable applause.

Amethyst Passion from Hull Harlots entranced the audience with her bewitching routine to 'Just One Dance' by Caro Emerald. Clad in a dazzling silver gown and twirling a pink boa, she exuded elegance and sophistication. As she moved gracefully across the stage, she cast off her boa, before the removal of her silver gown revealing a set of striking black lingerie beneath. Her adept use of ostrich fans mesmerised the onlookers, showcasing a fan technique that was both intricate and enthralling. With each flutter of the fans, she artfully teased the audience before finally revealing her tassels. The performance was beguiling, drawing enthusiastic applause from the captivated spectators.

Ivy Jac from Featherstone Follies brought a unique, futuristic flair to the Burlesque Ball with her avant-garde performance to 'Earl' by Coal. Starting at a table with the unconventional prop of a chopping board, she immediately intrigued the audience. Her robotic movements were a captivating blend of precision and innovation, adding a modern twist to the evening's line-up. As she began to shed her costume, she first removed her gloves one by one, followed by her dress, revealing an underskirt and top that perfectly complemented her futuristic theme.

Her performance continued to captivate with the incorporation of clever chair techniques, each move executed with exactitude. Her final reveal involved removing her underskirt and top, integrating floor work that showcased her agility and control. The unexpected use of props and the progression of her costume removal kept the audience on the edge of their seats, enthralled by her innovative approach to burlesque. As she exited the stage, leaving with the chopping board, the theatre buzzed with appreciation for her bold and imaginative performance, adding a distinctive and contemporary edge to the evening's entertainment.

Emerald Fuego from Featherstone Follies set the stage alight with her high-energy routine to 'Scream' by Usher. Dressed in striking pink underwear and a sequin skirt, she immediately captivated the audience with her vivacious presence. Her performance was a whirlwind of dynamic footwork, playful hip bumps, and electrifying moves that kept everyone on the edge of their seats. As she twirled and teased, her sequin skirt was deftly discarded with a cheeky bum roll, before the removal of her bra revealing her pasties. Emerald Fuego's rapid-paced routine was a dazzling display of agility and flair, earning rapturous applause from an exhilarated audience.

Emperatrix from Featherstone Follies entranced the audience with her bewitching blend of singing and striptease. Dressed in an exquisite lilac gown, she immediately commanded the stage with her enchanting voice and striking presence. As her song filled the theatre, she began to unveil the layers of her elaborate costume. With each captivating note, she gracefully removed her gown, revealing a set of lilac sleeves, a skirt, and a corset that highlighted her elegant silhouette.

Her performance was a seamless interweaving of vocals and movement, each act of undressing punctuated by her mesmerising song. The sleeves were the first to go, followed by the skirt, each piece discarded with a flourish that added to the allure of her act. Her skillful use of costume pieces as props enhanced the drama of her performance, creating a captivating visual narrative, and the room filled with applause.

Bongilicious from Hull Harlots brought an entrancing vibe to the stage with her performance to 'Private Dancer' by Tina Turner. Her entrance, marked by the dramatic flair of tossing money into the air, immediately grabbed the audience's attention. Dressed in an elegant gown and hat, she exuded an air of sophisticated mystery. The audience watched in anticipation as she began the slow, tantalising process of removing her gown to reveal a glittering gold bra and skirt underneath.

Each move Bongilicious made was a calculated step in her dance of seduction. Her bum rolls were executed with flawless precision, adding a sultry rhythm to her routine. The smooth transitions between her dance moves and her engaging use of props kept the audience utterly mesmerised and she received an array of almighty applause.

The Hull Harlots, featuring Violet Grace, Ruby Starr, Honey Rouge, Fifi Whispers, and Cherry Daiquiri, took the stage by storm with their daring class performance to 'Do You Wanna Touch' by Joan Jett & The Blackhearts. Dressed provocatively in black boots, fishnet tights, and jackets, they commanded attention from the moment they set foot on stage. Their confident strut and impeccable timing synchronised perfectly with the pulsating beats of the music, creating a palpable energy that filled the theatre.

As the performance progressed, the jackets were the first to be cast aside, revealing their sultry black lingerie underneath. Their chair technique was nothing short of sensational, each member seamlessly integrating the props into their routine with expert precision. Hip bumps and bum rolls punctuated their movements, adding an extra layer of sass and seduction that thrilled the audience.

The highlight of their act was the tantalising bra removal, executed with perfect coordination that left the audience on the edge of their seats. As the routine reached its peak, they shook what their mamma gave them with unabashed confidence, exuding an infectious sense of fun and empowerment. Their lively performance was met with roaring applause, leaving the audience breathless and yearning for more. The Hull Harlots had set the bar high, delivering a performance that was both tantalising and unforgettable.

Pink Champagne from Goole Goddesses stepped onto the stage with a serene and captivating performance to 'World On Fire' by Dolly Parton. Draped in a striking red ensemble, she commanded the stage with her graceful presence and impeccable fan technique. Her white silk fans, elegantly complementing her outfit, moved in perfect harmony with the music, creating a visually stunning display. Each gesture was executed with precision, flowing seamlessly from one movement to the next. The audience was entranced by her poise and artistry, captivated by the fluidity of her performance. As she concluded her routine, placing the fans behind her head, the theatre erupted in applause, sealing the night with a moment of pure elegance.

Goole Goddesses, Ruby Rose, Violet Siren, and Titty Topaz, brought a burst of humour to the Burlesque Ball with their gym-inspired performance to Olivia Newton-John's 'Let's Get Physical'. Dressed in vibrant lycra gym wear, the trio recreated a gym session with props like gym balls and steppers. Their routine included clever and amusing elements, from mimicking exercises to using light-up tennis rackets as guitars. The act reached its peak with confetti-filled water bottles, delivering a whimsical finale that had the audience in stitches. Their comedic timing and energetic performance were met with resounding applause, showcasing their ability to blend humour with burlesque flair.

Scarlett Vixen from Hull Harlots followed with a spirited performance to 'Trouble' by Elvis Presley. Dressed in a stunning white ensemble adorned with a vibrant red boa, she commanded the stage with poise and attitude. Her expert boa technique was mesmerising, and her choreography was a delightful blend of sass and elegance, marked by hip bumps and bum rolls that captivated the audience. Scarlett Vixen's teasing glove removal was performed with an air of playful defiance, engaging the crowd with every movement. As she shed her long white skirt, tossing it into the audience, the excitement in the room reached a fever pitch. Her showgirl pose at the end was the perfect flourish to an electrifying act, leaving the audience in rapturous applause.

The Featherstone Follies, featuring Bohemian Beauty, Lola Sparkles, Coral Kisses, L’ll Miss P, Luscious Luna, Cindy Galore, and Divine Desire, captivated the audience with their sophisticated ostrich fan performance to 'Dream A Dream Of Me' by Robbie Williams and Lily Allen. Beginning shrouded in their fans, the performers synchronised their movements flawlessly to the music, revealing glimpses of their elaborate costumes with each graceful sweep. The choreography was a study in elegance, as the dancers emerged from behind their fans in perfect harmony. The precision and artistry of their routine drew the audience into a mesmerising spectacle, punctuated by the dramatic reveal of their attire. The delicate balance between concealment and revelation held the audience in thrall, showcasing the impeccable coordination and aesthetic finesse of the Featherstone Follies.

Roxy Starr from Featherstone Follies graced the stage with an exquisite performance to 'Wicked Game' by Raign. Draped in alluring black lingerie, Roxy wielded her two-tone light-up blue fans with an elegance that captivated the audience from the very first note. The fluidity and precision of her movements were entrancing, as her silk fans glided effortlessly across the stage, accentuating the melancholic beauty of the music.

Her ability to convey emotion through the delicate manipulation of her fans drew the audience into a state of rapt attention, hanging on her every movement. The visual harmony of the light-up fans, coupled with her enchanting stage presence, created a mesmerising tableau that left a lasting impression.

Luna Lunacy took the stage with a bold reinterpretation of Lady Liberty, set to 'Naked In Manhattan'. This performance was a provocative and liberating twist on the iconic symbol, executed with immense confidence and allure. Starting at the back of the stage, Luna wore a gown that dramatically transformed into silk fans. Holding a vibrator, she moved with deliberate grace, revealing her bra and pants as she engaged the audience with a seductive glove peel. Luna's interaction with the audience was both intimate and captivating, adding a layer of immediacy to her act.

Returning to the stage, she showcased her athletic prowess with a jaw-dropping split, just as confetti cannons burst to life. The highlight of her performance was undoubtedly the tassel twirl, which she executed with precision and flair, leaving the audience both astonished and delighted. The audacious nature of her routine challenged traditional views and redefined the concept of liberty through a burlesque lens.

Princess Amethyst, Mistress Emerald, and Pixie Dust from the Goole Goddesses returned to the stage with a spellbinding rendition of 'I Put A Spell On You', inspired by the iconic witches of 'Hocus Pocus'. Their performance was a whimsical blend of enchantment and comedy, captivating the audience with their synchronised lip-syncing and well-timed cloak and skirt removals.

Adorned in bewitching costumes that complemented their magical theme, the trio mesmerised the crowd with their theatrical flair and playful antics. Each movement from the dramatic swishes of their cloaks to the seamless transitions between acts showcased their versatility and creativity, effortlessly blending humour with the mystique of their characters. The room was filled with appreciative applause, reflecting the audience's enjoyment of the trio from Goole Goddesses' charming and bewitching performance.

Paris Chantilly delivered a spellbinding Medusa performance set to 'They Call Me Devil' from 'Lucifer', captivating the audience with her commanding presence and elaborate costume. Stepping onto the stage adorned with a light-up snake headdress and silk fans, Paris exuded an air of mystical allure. Her gown, designed to transform into ethereal Isis wings, added a dramatic flair as she revealed a stunning black cage outfit embellished with green gems.

Throughout the act, Paris maintained an intense gaze and striking poses, effectively drawing the audience into her captivating portrayal of Medusa. She employed her silk fans with remarkable dexterity, creating a hypnotic visual display that enhanced the mythical theme of her performance. The fans not only served as extensions of her movements but also accentuated the sensuality and power inherent in her character leaving the audience in awe of her exceptional talent.

As we reflect on the unforgettable moments of 2024, our enthusiasm for what lies ahead in 2025 is boundless. The anticipation within the Burlesque With Paris community is electric, with everyone eager to see what new heights the next Burlesque Ball will reach. We are excited about the potential for even more mesmerising performances, innovative acts, and unforgettable experiences that will continue to elevate the art of burlesque within the Burlesque With Paris community.

To our beloved audience, your unwavering support and enthusiasm are the heartbeat of our performances. We cannot wait to share another year of breathtaking shows with you, celebrating the vibrant spirit and unparalleled talent that define the Burlesque With Paris community. Until then, we eagerly await the opportunity to dazzle and enchant you once more.

Burlesque With Paris Class Awards

Miss Star Of Burlesque With Paris 2024

Lola Sparkles

Goole Goddesses

Star Of The Class 2024 - Bella Diamond

Miss Dedicated 2024 - Pixie Dust

Miss Most Improved 2024 - Mistress Emerald

Featherstone Follies

Star Of The Class 2024 - L’ll Miss P

Miss Dedicated 2024 - Cindy Galore

Miss Most Improved 2024 - Lucious Luna

Hull Harlots

Star Of The Class 2024 - Violet Grace

Miss Dedicated 2024 - Bongilicious

Miss Most Improved 2024 - Sapphire Rose

Burlesque With Paris Performance Awards

Best Class Performance 2024 - Hull Harlots Do You Wanna Touch

Best Double Performance 2024 - Bella Diamond and Pixie Dust (Goole Goddesses)

Best Solo Performance 2024 - Luna Lunacy (Featherstone Follies)

A huge thank you to Grace Elkin for her exceptional photography, capturing the essence of the Burlesque Ball with her keen eye for detail. Her stunning images ensure that the magic of the night can be relived time and time again.

We are immensely grateful to Khandie Khisses, whose unparalleled hosting skills brought an extra layer of charm and vivacity to the evening. Her seamless handling of the event ensured everything ran smoothly, much to the delight of performers and audience alike.

Special thanks are also due to Diamond Dave, our music and lighting maestro. His expertise transformed the stage into a visual and auditory feast, perfectly complementing each performance. His behind-the-scenes efforts were instrumental in creating the immersive atmosphere that made the night unforgettable.

Finally, a heartfelt nod to all the volunteers and support staff whose hard work and dedication made the Burlesque Ball 2024 a resounding success. Your contributions, often unseen but deeply felt, are the backbone of this extraordinary event.

Every one of you played an essential role in bringing the vision of Burlesque With Paris to life, creating an evening that will be remembered for years to come. Your collective efforts exemplify the spirit of community and collaboration that define us.

Looking forward to seeing what 2025 has in store for our Burlesque Ball show…

See you ALL again very soon.

Paris Chantilly xx