Burlesque Ball - Part 2 - 16th November 2024

A Night of Glitter And Glamour At The Burlesque Ball Part 2…

On the 16th of December, the Doncaster Little Theatre came alive with the splendour of the Burlesque Ball Part 2, organised by BurlesqueWithParis. The event drew a sold-out crowd, buzzing with anticipation for a night brimming with burlesque talent. The theatre was transformed into a realm of glamour and excitement, where each performance promised to be a visual and emotional feast. The evening's atmosphere was charged with excitement, as the audience eagerly awaited the parade of performers set to dazzle on stage. From the vibrant costumes to the intricate routines, every detail was crafted to deliver a captivating experience. This burlesque showcase was not just a performance but an unforgettable celebration of artistry and allure.

Khandie Khisses, the evening's host, brought a remarkable blend of wit and charm that kept the audience engaged and entertained throughout the night. Her vibrant personality and effortless interaction with the crowd ensured that each transition between acts was smooth and enjoyable. Khandie's presence on stage added an extra layer of excitement, as she introduced each performer with enthusiasm and flair, setting the stage for their grand entrances.

Rob Gurney, the event's photographer, played a crucial role in capturing the essence of the evening. His keen eye and ability to capture the perfect moment ensured that the magic of each performance was preserved in stunning detail. From the intricate costumes to the dramatic poses and the sheer energy of the performers, Rob's photographs serve as a lasting testament to the artistry and passion that characterised the Burlesque Ball. His work not only documented the event but also highlighted the unique personalities and talents of each performer, allowing those who attended to relive the experience and those who missed it to glimpse the spectacle.

Sugar Bombs kicked off the evening with an electrifying act set to Cher's 'Welcome To Burlesque'. Adorned in an array of pink and black costumes, ranging from corsets to showgirl skirts, they brought a vibrant energy to the stage. The performers used gloves and boas with expert precision, creating an atmosphere brimming with anticipation and excitement. Each step and gesture was met with enthusiastic applause, as the audience was captivated by their theatrical flair. The dazzling costumes and playful props added to the allure, making every moment a visual delight. Sugar Bombs' performance was a sensational introduction to the night, setting a high standard for the acts that followed.

Taking the stage next, Pink Champagne from Selby Sirens and Selby Starlets delivered an enchanting performance set to Dolly Parton's 'World On Fire'. Draped in black sequin shorts and a red check shirt, she exuded grace and sophistication. Her silk fan routine was a display of poise and elegance, mesmerising the audience with every movement. The delicate fans fluttered and flowed in perfect harmony with the music, enhancing the ethereal quality of her act. The crowd watched in rapt attention as Pink Champagne's seamless transitions and fluid motions created a captivating spectacle. Her costume shimmered under the stage lights, adding an extra dimension of allure to her routine. The audience's gasps of admiration and the subsequent applause were a testament to her ability to command the stage with such finesse. The silk fans, used with expert precision, accentuated the timeless beauty of her act, leaving the audience spellbound.

Bella Diamond and Pixie Dust from Selby Sirens brought a delightful blend of humour and sass to the stage with their performance set to a medley of 'I Want To Break Free' by Queen and 'Man! I Feel Like A Woman' by Shania Twain. Initially dressed in mundane cleaning overcoats and armed with mops, they playfully mimicked the routine chores of a housewife. The act quickly took a surprising turn as they shed their overcoats to reveal their stunning burlesque ensembles beneath. The yellow marigold gloves were peeled off with a teasing flair, heightening the anticipation in the room.

The audience roared with laughter and applause as the performers transitioned from their domestic roles to dazzling showgirls, complete with feather dusters and cowboy hats. The playful nature of their act was further amplified when they revealed their glamorous burlesque outfits, adorned with sequins and sparkle. Bella Diamond and Pixie Dust’s clever use of props and costumes showcased their creativity and ability to engage the audience with their cheeky, yet elegant, performance.

The duo’s chemistry on stage was palpable, as they danced and teased their way into the hearts of the audience. Their final reveal, marked by a sensational pastie display, left the room buzzing with excitement.

Miss Mona from Selby Sirens took to the stage for her solo debut, delivering a powerful and seductive performance to 'I Wanna Be Your Slave'. She began with her back to the audience, whip in hand, immediately setting a bold and captivating tone. Her attire, black lingerie with dominatrix flair, added to the intensity of her act. As she turned to face the audience, her confident and assertive movements commanded attention. The dramatic reveal of her outfit was met with gasps of admiration, as she brought a male prop on stage, leading him with a collar and lead.

Her performance included a series of hip bumps, bum rolls, and powerful poses that showcased her ability to dominate the stage. Each movement was executed with precision, highlighting her strength and control. The audience was enraptured by her presence, unable to look away from the fierce display unfolding before them. The culmination of her act, which involved the removal of her bra to reveal glittering pasties, was met with raucous applause and cheers.

Doncaster Divas mesmerised the audience with their ensemble routine to Ariana Grande's 'Dangerous Woman'. Featuring Salacious Silk, She She La Play, Lady Fifi Redhead, Von Yr Neez, Velvet Cupcake, Cinnamon Star, Ruby Rose, Penny Dreadful, and Beltane Bette. Dressed in coordinating pink and black outfits, each performer added a unique flair to the collective display. Their bump skirts and gloves added a touch of vintage glamour, while their cheeky skirt lifts and glove removals with their teeth brought a playful edge to the performance.

The seamless flow of their routine kept the audience enthralled, with each transition between moves executed with precision. Their chorus lines were perfectly in sync with the music, amplifying the energy in the room. The ensemble’s final move, where they turned their backs to the audience to remove their bras, was met with eager anticipation. As they spun around to reveal their glittering pasties, the crowd erupted in applause and cheers. Doncaster Divas' performance was a striking blend of elegance and boldness, leaving a lasting impression on all who witnessed it.

Harley Queen from Selby Sirens and Selby Starlets took to the stage with an electrifying solo performance set to Queen's 'Fat Bottomed Girls'. Dressed in a black PVC skirt and top, she exuded rock chick confidence and charisma. Her routine was a thrilling blend of bum rolls and playful skirt teases, captivating the audience from the moment she stepped on stage. Harley Queen's energetic movements and bold personality shone through as she danced, each gesture brimming with attitude and sass. The performance reached a peak when she tore off her skirt to reveal bright pink pants, strutting across the stage with undeniable flair. The energy in the room soared as she twirled her top above her head before discarding it to reveal sparkly pink tassels. The audience was mesmerised by her dynamic presence and the sheer joy she brought to her routine. Harley Queen's act was a perfect blend of rebellious spirit and burlesque elegance, leaving the crowd in awe and concluding the evening on a high note. The room echoed with enthusiastic applause, a testament to her captivating performance and the unforgettable impact she made.

Lola Sparkles from the Selby Sirens took the stage in a vibrant pink ensemble, exuding flirtatious charm from the outset. Her performance to 'Pink' by Aerosmith began with an elegant twirl of a boa, teasing the audience with playful gestures. As she progressed, the removal of her gloves heightened the anticipation, each motion deliberate and graceful. The sultry bum roll that followed saw the pink bustle being artfully discarded, used to further enchant the crowd as she ran it along her legs. As the routine reached its climax, Lola removed her bra, scattering rose petals across the stage in a visually arresting moment. The grand finale unveiled her sparkling pasties, earning her a raucous of applause.

The stage was illuminated with the arrival of Glamma Joolz, Ruby Red, and Mystique Riviera from Sugar Belles, performing to 'Burlesque' by Pure Energy Crew. Their teal gowns and silver headdresses sparkled under the lights as they moved with synchronised elegance. The audience was treated to a masterclass in showgirl performance, marked by intricate footwork and sublime leg lines. With effortless grace, the trio transitioned to a seated routine, their chair technique showcasing their skill and precision. As they removed their teal slips to reveal skin-coloured bras and silver pasties, the crowd was mesmerised by their seamless performance. Every movement was a testament to their talent, leaving the audience in awe.

Scarlett Valentine from Selby Starlets took to the stage with an air of dramatic flair, performing to 'Call Me Cruella' by Florence and The Machines. Draped in a luxurious Dalmatian fur coat, she immediately captured the audience's attention. The coat was soon cast aside to reveal a stunning black sequin dress and long black satin gloves. Scarlett's movements were deliberate and enticing as she made her way to the back of the stage, unzipping her dress with a tantalising bum wiggle. Underneath, she wore red lace knickers and a black and white corset, which added to the visual intrigue. Her glove removal was a masterclass in tease, first using her teeth, then dramatically flinging the second glove across the stage. For her grand finale, Scarlett Valentine brought out black and white silk fans, moving them with such elegance that the audience was completely enraptured.

Tity Von Tease from Selby Starlets mesmerised the audience with her routine set to 'Beautiful' by Benny Benassi. Clad in a black robe, she began her performance facing away from the audience, creating an air of mystery. As the music swelled, she turned to reveal her elegant white lingerie and satin gloves. With each step, Tity Von Tease exuded poise, blowing kisses to the crowd and playfully teasing them. Her glove removal was a visual delight, each glove filled with confetti that burst forth as she pulled them off. She then displayed photographs of the Selby Starlets, adding a personal touch to her performance, discarding each one with a flourish. The act culminated in her removing her bra to unveil sparkling tassels, twirling them to the rhythm of the music. The audience responded with enthusiastic applause, thoroughly enchanted by her sophisticated and playful performance.

Jaja Lamore from Selby Starlets mesmerised the audience with her buccaneer-themed act, which was both dynamic and visually striking. Dressed in a vibrant red pirate costume, she wielded her sword with extraordinary skill, balancing it on her head and chest before placing it gracefully at the front of the stage. Her impressive skirt added an extra layer of drama, as she twirled to create stunning shapes with its flowing fabric. The skirt was then cast aside, revealing her pirate knickers, which heightened the theatrical effect. As she moved, red and black silk fans appeared, showcasing her energetic and engaging fan technique. Each motion was filled with vitality, captivating the audience's attention. Jaja Lamore's corset was the next to go, revealing a bra underneath, further adding to the visual spectacle. Returning to the front, she picked up her sword, running it along her arms and balancing it on her chest before turning away to remove her bra. The act reached its peak with Jaja Lamore raising her sword high, her pirate pasties glittering under the stage lights. The crowd was entranced by her grace, marking her performance as a standout moment of the evening.

Cherry Dynamite, Bubblez Byzance, Pink Champagne, Vanilla Silk, and Bella Diamond from the Selby Sirens enchanted the audience with their vibrant group performance to 'Sway' by the Pussycat Dolls. Dressed in dazzling pink and purple salsa dresses, they captivated everyone with their synchronised footwork and intricate fan choreography. The silk fans floated gracefully through the air, creating a mesmerising display of colour and motion. Each flick of the wrist sent the fans swirling, perfectly in time with the music. The dancers moved across the stage with fluidity and precision, their coordination adding to the visual spectacle. The harmonious blend of movement and rhythm held the audience's attention, their eyes following the seamless transitions and energetic routines. The group's flawless timing and captivating presence made this performance a standout, filling the theatre with a palpable sense of joy and exhilaration.

Paris Chantilly delivered a deeply emotional tribute to Tina La Tease, leaving a lasting impression on the audience. Adorned in an opulent cream marabou-trimmed gown, she began her performance to the soulful strains of 'Dream A Little Dream Of Me' by Mama Cass. Each movement was imbued with grace and elegance, as she twirled across the stage, her gown flowing with every step. As the routine progressed, Paris slowly removed her gown, revealing layer after layer of exquisite costume pieces.

The audience watched in rapt attention as she gracefully removed her gloves, one by one, each piece shedding adding to the emotive power of her tribute. With delicate precision, she removed her bustle, her actions filled with a sense of reverence and respect. As she continued to dance, the stage was soon bathed in a shower of glitter, creating a dazzling visual effect that perfectly complemented the poignancy of her performance.

Paris Chantilly then transitioned into a fan dance, employing elegant ostrich fans to add an extra layer of enchantment to her routine. The audience was captivated by her every move, the delicate fans weaving through the air in perfect harmony with her movements. Each flutter of the fans added to the atmosphere, enhancing the emotional depth of her heartfelt tribute to Tina La Tease.

The interval provided a brief respite from the evening’s enthralling performances, allowing the audience to reflect on the first half’s dazzling acts. The theatre's bar became a hub of animated discussion, with attendees eagerly exchanging their favourite moments and predictions for what was to come. Conversations buzzed with excitement, and the queue for refreshments grew as everyone took the opportunity to recharge. The atmosphere was electric, filled with the shared thrill of having witnessed such a captivating display of talent. Patrons lingered in the foyer, their chatter interspersed with laughter and exclamations of awe. As the announcement for the second half echoed through the venue, there was a palpable sense of anticipation. The crowd hurried back to their seats, hearts racing in eager expectation of the performances yet to unfold. The theatre, once again, dimmed its lights, setting the stage for the next wave of artistry and allure.

The second half of the evening burst into life with the Selby Starlets taking the stage. Scarlett Valentine, Cherry Dynamite, Pink Champagne, Jaja LaMore, Harley Queen, Tity Von Tease, Bashful Beany, and Phoenix Rose were dressed in alluring pink and black lingerie, setting the tone for a captivating performance to "Take My Love, Take My Love, Take Me." Their act began with playful glove removals, each gesture drawing the audience deeper into their world of tease. The excitement built as they sensually ran their hands down their legs, creating an atmosphere charged with anticipation. The tempo heightened when they shed their babydolls, tossing them into the eager crowd, followed by the dramatic removal of their feather bustles. The audience was on the edge of their seats as the performers finally discarded their bras, revealing striking pasties and tassels. The climactic group pose was met with an eruption of applause, signalling that the second half of the show had well and truly begun.

Beltane Bette, from Doncaster Divas, truly commanded the stage with her performance to "Fire Woman" by The Cult. With vibrant, fire-coloured silk fans in hand, she captured the audience's attention the moment she stepped onto the stage. She began by placing the fans delicately on a chair at the back, creating a sense of anticipation. Moving towards the front, she teased with her gloves, expertly discarding them to reveal her bare arms. The act progressed as she removed her bra with a flourish, revealing her striking red pasties. Picking up one of her silk fans, she teased the audience further, each movement calculated to heighten the suspense. Her confident and sultry pose at the end of the act drew fervent applause, with the audience's cheers resonating throughout the theatre.

Lady Fifi Redhead graced the stage with an enchanting performance inspired by Jessica Rabbit's iconic bar scene. Draped in a glittering red dress that featured a daring thigh-high split, she exuded a captivating allure, further accentuated by her long, luxurious purple satin gloves. The audience was instantly drawn in by her radiant beauty and poise.

The routine began with Lady Fifi Redhead’s prop sitting at a table, perfectly capturing the essence of Jessica Rabbit. As the music played, Lady Fifi Redhead appeared dressed to kill in a long red sparkly dress with long satin purple gloves. With a teasing smile, she began to remove her gloves one by one, her fingers sliding seductively out of the satin. Each gesture was deliberate, heightening the audience's anticipation.

Next, Lady Fifi Redhead turned her attention to her sparkling red dress. With an elegant flourish, she let it slip from her shoulders, the fabric cascading to the floor to reveal her stunning red undergarments adorned with tassels. The removal was executed with such finesse that it felt like a natural progression of her performance, rather than a deliberate act of disrobing.

The atmosphere in the theatre was electric, with every eye fixed on Lady Fifi Redhead's mesmerising performance. The applause and cheers from the crowd were thunderous.

The Sugar Belles infused the stage with a spirited and playful energy during their performance to "Feeling Good" by Michael Bublé. Their black showgirl dresses, paired with long red satin gloves, presented an image of polished sophistication. Their choreography was a delightful blend of cheeky leg moves and flirtatious bum rolls, engaging the audience with every playful gesture. The group added an extra layer of mischief by removing their gloves in a tantalising manner, using their teeth for added flair. The energy peaked as they lifted their dresses over their heads, revealing a vibrant ensemble of red and black lingerie that excited the audience. Each step was executed with precision, creating a dynamic performance that kept everyone enthralled. The act continued to build momentum, culminating in the removal of their bras. This reveal showcased an array of striking black tassels and pasties, a fitting nod to classic burlesque tradition. The Sugar Belles’ spirited performance, filled with fun and sophistication, left the audience buzzing with excitement and eager for more.

Sugarboo, our distinguished instructor, brought a refined elegance to her performance set to "West Coast" by Lana Del Rey. Her ensemble, comprising a burgundy corset, matching knickers, and a flowing skirt, paired with white satin gloves, exuded a timeless sophistication. She began her routine on the floor, using the skirt to create fluid, captivating movements that immediately drew the audience's attention. Rising gracefully to her feet, she heightened the anticipation by slowly dragging her skirt down the backs of her legs, a move that showcased both her control and finesse.

With each glove removed and tossed aside, the suspense grew. Her choice of white ostrich fans added a touch of opulence to the performance. Sugarboo's mastery of the fans was evident; her technique was both mesmerising and precise. Each sweep of the fans was calculated to enhance the allure, creating a dance of feathers that was both hypnotic and breathtaking. Her every gesture seemed to flow seamlessly into the next, maintaining a sense of rhythm and poise throughout.

The performance crescendoed with her lowering gracefully to the floor, the fans closing around her in a final, elegant pose. The audience responded with a wave of applause, captivated by the sophistication and beauty of her display.

Vanilla Silk from the Selby Sirens dazzled the audience with her steam punk-inspired performance to "Black Cherry" by Goldfrapp. Clad in an intricate black woven underskirt, corset, and hat, she brought a unique flair to the stage, further enhanced by her black and red silk fans. The routine was a seamless blend of elegance and precision, her fans moving in perfect synchrony with the music. Each movement was carefully executed, creating an almost ethereal visual spectacle that held the audience's attention. Vanilla Silk's use of the fans added a dynamic element to her performance, their swirling motions complementing her every step. As she moved with grace and poise, the atmosphere in the theatre became increasingly charged with anticipation. Her debut solo performance was marked by a sense of sophistication and creativity, leaving a lasting impression on all who were fortunate enough to witness it.

Cherry Dynamite, a notable performer from both Selby Sirens and Selby Starlets, brought a lively and enchanting energy to her performance set to "Chinchilla" by Slim Moon. She made a striking entrance from behind a large gold fan, instantly capturing the audience's imagination. The fan dance, executed with a mix of grace and playfulness, set the tone for an act filled with charm and creativity. Cherry Dynamite's interaction with her skirt, transforming it into a dramatic cape before casting it aside, added a theatrical flair to her routine. Her movements were fluid and deliberate, drawing the audience deeper into her captivating world.

Her playful yet controlled manner throughout the performance showcased her talent and flair for burlesque. Each gesture, whether a flirtatious wink or a seductive twirl, was executed with precision and confidence. The crowd responded with waves of applause, captivated by the seamless blend of humour and allure in her act. Cherry Dynamite's performance was a perfect example of how burlesque can be both entertaining and artistically enriching, leaving a lasting impression on everyone present.

Salacious Silk from Doncaster Divas captivated the audience with her lively performance to "We're Going To Ibiza" by the Vengaboys. Arriving on stage with a suitcase marked with her name, she immediately set a holiday tone by tossing a bikini to the crowd and spreading out a beach towel. Her playful antics, including sensuous hair flips and teasing gestures, kept everyone entranced. As she revealed a bikini beneath her cover-up, she brought out a beach ball, interacting with the audience in a playful manner. Her routine culminated in a classic showgirl pose, with the infectious holiday atmosphere resonating throughout the theatre. The audience responded with a rapturous applause, clearly delighted by her energetic and enticing performance.

Von Yr Neez and Penny Dreadful from Doncaster Divas brought a captivating performance to the stage, set to the sultry tones of "They Call Me Devil" by Lucifer. The duo emerged with black Isis wings, their movements perfectly synchronised as they unfurled the dramatic wings to reveal their opulent black costumes. Their routine was a masterclass in tease, beginning with a deliberate, tantalising glove removal, each glove peeled off slowly and thrown aside with flair. The performers moved with precision and poise, running their hands seductively down the backs of their legs before turning to face the audience with an attitude-laden pose. Their confident and dramatic gestures resonated deeply with the crowd, who responded with enthusiastic applause, clearly enthralled by the pair’s performance.

Ruby Rose from Doncaster Divas, commanded the stage with her performance to "Escapism" by Raye. Dressed in striking red and black attire, she initially kept her back to the audience, building anticipation. The music began, and she elegantly wielded a black organza boa, demonstrating her mastery with each flowing movement. As the performance progressed, Ruby Rose expertly teased the crowd with the slow, deliberate removal of her red satin gloves, one by one. Each motion was carefully crafted to heighten the sense of allure and drama. The gloves were discarded with an air of nonchalance, amplifying the seductive atmosphere in the theatre. The climax of Ruby Rose's performance was nothing short of breathtaking. She transitioned seamlessly into a display of rose petals, showering herself in a burst of vivid red. The petals added an element of visual splendour, with her arms crossed over her chest, she maintained an air of mystery and allure, even as she moved towards the front of the stage ready for the final reveal of her tassels which was met with enthusiastic cheers and applause.

The Selby Sirens, comprised of Harley Queen, Lola Sparkles, Miss Mona, Pixie Dust, and Amethyst Allure, took to the stage with a mesmerising performance set to "I Can't Help Falling In Love With You" by Haley Reinhart. The group began in a tightly-knit formation, each dancer concealed by an ostrich fan. As the music played, they opened their fans in perfect synchronisation, revealing their elegant pink and black costumes and setting the tone for a captivating routine.

The Selby Sirens showcased their impeccable fan technique, each movement timed flawlessly with the music. They gracefully transitioned from their initial formation, creating a visual spectacle as they moved together with precision. Their ostrich fans became extensions of their arms, swirling and fluttering in harmony to create stunning visual effects.

As the performance progressed, the dancers formed a classic showgirl line, laying their fans on the floor to remove their gloves. Rose petals cascaded from above, adding a touch of visual splendour and enhancing the romantic atmosphere of the performance. The Sirens then picked up their fans once more, twirling back into their group formation.

With an air of refined elegance, the Selby Sirens concluded their routine by opening their fans once more, revealing themselves in a final pose. The audience, utterly captivated by the Selby Sirens' grace and artistry, responded with enthusiastic applause. The combination of synchronised movements, elegant costumes, and perfectly timed fan work made their performance a highlight of the evening.

Paris Chantilly graced the stage, her entrance alone a spectacle of elegance. Performing to the emotive strains of "Love Me Like You Do," she embodied the art of burlesque with each graceful movement. Her richly adorned costume shimmered under the stage lights, catching the audience's eye as she began her elaborate routine. With every twirl of her skirt and flutter of her ostrich boa, Paris masterfully teased the audience, each gesture more captivating than the last.

As she removed pieces of her intricate costume, her poise and precision left the audience enthralled. The use of her translucent Isis wings added an ethereal quality to her performance, their delicate movements amplifying the drama and allure. Paris's skilful manipulation of peacock fans further accentuated her talent, each fan swish perfectly timed with the music, creating an enchanting visual narrative.

Her performance was a symphony of elegance and tease, each element meticulously choreographed to heighten the sense of drama and anticipation. Paris Chantilly didn't just perform; she transported the audience into a world of refined seduction and artistry. Her ability to weave a story through her dance, combined with her impeccable technique, left a lasting impression, ensuring that her act was one of the evening's highlights.

The Roulette Rogues stepped onto the stage for the final performance of the night, dedicated to Khandie Khisses. Dressed in vibrant orange, Khandie’s favourite colour, they performed to Tina Turner's "Shake A Tail Feather." The routine began with the dancers facing away from the audience, embodying a lively go-go girl style that immediately set the tone for a high-energy performance. Their moves were full of showgirl sass, and the audience quickly caught on to their infectious spirit, cheering them on.

The gloves were the first to go, discarded with playful flourishes that added a touch of fun and spontaneity to the routine. As the music built up, the performers moved with seamless coordination, shaking their feather bustles with expert precision. The audience’s excitement was palpable, growing with each passing moment.

Next, the feather bustles were cast aside, revealing their orange assels. The dancers continued to mesmerise the crowd with their coordinated movements and the vibrant display of tassels, adding an extra layer of excitement to the routine. Each performer moved with confidence and flair, embodying the essence of burlesque.

As the routine reached its climax, the orange bras were removed to reveal dazzling tassels, a final touch that sent the audience into a frenzy. The performance, rich in energy and showmanship, was a fitting tribute to Khandie Khisses, delighting both her and the audience.

The culmination of Burlesque Ball Part 2 left an indelible mark on all attendees. The atmosphere buzzed with enthusiastic conversations as guests reminisced about the evening’s captivating performances. Each act had transported the audience into a realm of glamour and artistic mastery, from the playful antics of Salacious Silk to the elegant choreography of the Selby Sirens. Paris Chantilly's refined performance and the energetic tribute by the Roulette Rogues were particularly memorable, leaving the crowd in awe.

The event was a true testament to Burlesque With Paris’s dedication to the art of burlesque, showcasing both emerging talents and seasoned performers. As the audience exited the Doncaster Little Theatre, their hearts were filled with anticipation for the next Burlesque Ball, eagerly awaiting the magic that 2025 would bring.

Burlesque With Paris Class Awards

Miss Star Of Burlesque With Paris 2024

Lola Sparkles

Selby Sirens

Star Of The Class 2024 - Miss Mona

Miss Dedicated 2024 - Harley Queen

Miss Most Improved 2024 - Vanilla Silk

Selby Starlets

Star Of The Class 2024 - Tity Von Tease

Miss Dedicated 2024 - Bashful Beany

Miss Most Improved 2024 - Phoenix Rose

Doncaster Divas

Star Of The Class 2024 - Lady Fifi Redhead

Miss Dedicated 2024 - Rose Nefertiti

Miss Most Improved 2024 - Cinnamon Star

Sugar Belles

Star Of The Class 2024 - Glamma Joolz

Miss Dedicated 2024 - Mystique Riviera

Miss Most Improved 2024 - Odessa Belle

Sugar Bombs

Star Of The Class 2024 - Cherry Blossom

Miss Dedicated 2024 - Luna Rose

Miss Most Improved 2024 - Anastasia Blue

Burlesque With Paris Performance Awards

Best Class Performance 2024 - Selby Sirens I Can’t Help Falling In Love With You

Best Small Group Performance 2024 - Selene Citrine and Ruby July (Featherstone Follies)

Best Solo Performance 2024 - Lola Sparkles (Selby Sirens)

A huge thank you to Rob Gurney for his exceptional photography, capturing the essence of the Burlesque Ball with his keen eye for detail. His stunning images ensure that the magic of the night can be relived time and time again.

We are immensely grateful to Khandie Khisses, whose unparalleled hosting skills brought an extra layer of charm and vivacity to the evening. Her seamless handling of the event ensured everything ran smoothly, much to the delight of performers and audience alike.

Special thanks are also due to Diamond Dave, our music and lighting maestro. His expertise transformed the stage into a visual and auditory feast, perfectly complementing each performance. His behind-the-scenes efforts were instrumental in creating the immersive atmosphere that made the night unforgettable.

Finally, a heartfelt nod to all the volunteers and support staff whose hard work and dedication made the Burlesque Ball 2024 a resounding success. Your contributions, often unseen but deeply felt, are the backbone of this extraordinary event.

Every one of you played an essential role in bringing the vision of Burlesque With Paris to life, creating an evening that will be remembered for years to come. Your collective efforts exemplify the spirit of community and collaboration that define us.

Looking forward to seeing what 2025 has in store for our Burlesque Ball show…

See you ALL again very soon.

Paris Chantilly xx

BWP NEWS, BWP SHOWSTina Lockie18 December 2024Drax Sports and Social ClubBWP SHOWS, BURLESQUE BALLComment